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26–29 October 2017: Glyphs at BITS 2017

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This year’s Bangkok International Typography Symposium will see Glyphs workshops and a stage presentation. Don’t miss it, it’s going to be fun.

Workshop: Start your first Font in Glyphs

  • When?

    Saturday, 28 October 2017
    10:00 am — 6:00 pm

  • Who?

    Miriam Surányi and Lisa Schultz

  • Where?

    TCDC Charuenkrung
    Grand Postal Building
    Charoenkrung Road, Bangkok

  • How much?

    USD 35.00

  • For whom?

    Everybody is welcome. No prior experience in type design necessary. Max. 20 attendees.

  • Prerequisites

    Bring your own MacBook (10.9+) with the trial of Glyphs installed, a pencil and a piece of paper.

  • Links

    http://bitscon.asia/program/2017-lisa-schultz-and-miriam-surnyi

In this introduction to Latin type design, attendees will sketch and digitise a lowercase n, then proceed to draw a few letters more. You will also learn how to reuse the shapes you have already drawn for creating diacritic letters, and how to create an alternate letter variant.

Workshop attendees will receive an extended trial license, handouts for continuing their design, and are entitled to a discount for the full version of Glyphs.

Workshop: Advanced Techniques in Glyphs

  • When?

    Saturday, 28 October 2017
    10:00 am — 6:00 pm

  • Who?

    Rainer Erich Scheichelbauer

  • Where?

    TCDC Charuenkrung
    Grand Postal Building
    Charoenkrung Road, Bangkok

  • How much?

    USD 35.00

  • For whom?

    Some prior experience in type design expected: Users of Glyphs or other type design software. Max. 20 participants.

  • Prerequisites

    Bring your own MacBook (10.9+) with the trial of Glyphs installed. Not necessary but useful: Windows with Word in a virtualisation environment (like Fusion or Parallels) on the same Mac.

  • Links

    http://bitscon.asia/program/2017-rainer-erich-scheichelbauer

How to produce Multiple Masters and Variable Fonts, how to produce and test webfonts, and how to optimise your font for the screen with PS and TT Autohinting.

Workshop attendees will receive an extended trial license, and are entitled to a discount for the full version of Glyphs.

Lecture: More Fonts, More Fun

  • When?

    Sunday 29 October
    Afternoon Session: 1.30pm - 3:00pm

  • Who?

    Lisa Schultz and Rainer Erich Scheichelbauer

  • Where?

    W Hotel
    กทม, Krung Thep Maha Nakhon
    10500 Thailand

  • How much?

    Included in the conference fee (USD 150)

  • For whom?
  • Prerequisites
  • Links

    http://bitscon.asia/program/bits2017-conference

The potential of modern fonts has grown immensely over the past decade, and some great changes are still ahead of us. This presentation is about what fonts already can do, what they will soon be able to do, and what type designers and digital punchcutters do to make that possible.


14 August–24 September 2017: Handwritten Font Creation with Olga Zakharova

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Olga Zakharova is giving a 6-week online course with homework and individual evaluations and feedback. Participants will receive a temporary workshop license for Glyphs, and a discount for the full version.

Создание рукописного шрифта с нуля

  • When?

    14 August – 24 September, 2017

  • Who?

    Olga Zakharova

  • Where?

    Online Course with homework

  • How much?

    22,800 Rubels

  • For whom?
  • Prerequisites
  • Links

Магазин знаний временно недоступен по техническим причинам, приобрести уроки/курсы через него в данный момент невозможно (поэтому стоит надпись "нет в наличии").

22–24 September 2017: Love Letters September 2017 in English

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Sébastien Sanfillipo now offers his Love Letters workshop weekend, an introduction to type design, in English! And possibly even better, in the beautiful Belgian town of Mechelen, home of Beethoven’s grandfather. Do not miss this rare chance.

Love Letters Workshop

  • When?

    Fri 22 – Sun 24 September

  • Who?

    Sébastien Sanfillipo

  • Where?

    Brandingtoday
    Begijnenkerkhof 6A
    2800 Mechelen

  • How much?

    310 Euro (students: 160 Euro)

  • For whom?

    Beginners

  • Prerequisites

    Bring your MacBook with the latest Glyphs 2 preinstalled.

  • Links

Whether you’re a beginner or you already have an advanced type design project, Love-letters invites you to participate to its typeface design workshop. During the workshop you will analyse the principles of letter drawing based on classical and contemporary models and you will learn the fundamentals of the construction of letter-forms.

Depending on the needs of your personal project, special attention will be given to digital type design specifics such as vectorization, Bezier curves, letter spacing, kerning, interpolation and workflow.

Glyphs Mini 2 Available in the AppStore

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Glyphs Mini 2 just became available for purchase in the Apple AppStore. You get the full thing with the convenience of automatic AppStore updates: that means no fiddling with license files.

Please note that since we can only supply stable versions to the AppStore, the only thing not available this way are the ‘cutting edge’ betas. Which means that it may take a little longer for a bugfix to reach you.

13–17 September 2017: Glyphs at ATypI Montréal 2017

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Glyphs members Georg Seifert and Rainer Scheichelbauer will be present throughout this year’s ATypI conference in Montréal in French Canada.

Workshop: TrueType in Glyphs

Optimise font info, paths and component structures for TrueType, take control of autohinting controls, or create your own manual TT instructions. And test your fonts in Windows. This workshop will introduce you to best-practice workflows in Glyphs.

Workshop: Variable Fonts in Glyphs

Set up and export OTVar fonts in Glyphs, and test them inside Glyphs and in browsers. Learn some useful tricks, including Virtual Masters, and avoid potential pitfalls. Plus: animate an icon glyph in your font, and display the animation in a web browser.

Glyphs 2.4.2 Released

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Welcome to the latest and greatest stable version of Glyphs: 2.4.2. This officially marks our move into quadruple-digit build numbers. As always, update your app with Glyphs > Check for Updates… and enjoy what is new in Glyphs:

Variable Fonts

When it comes to Variable Fonts, Glyphs has already supported the fvar and gvar tables. The new version adds support for the cvar (Control Value Table variation) and STAT (Style Attributes) tables.

We take care of most of the OTVar management through custom parameters. Here is an overview of the new ones in version 2.4.2, Axes, Virtual Master, Axis Location, and Export STAT table:

  • Axes (in File > Font Info > Font): Lets you define full names and 4-letter tags for your axes. The first three entries will repurpose the predefined Weight, Width and Custom axes in File > Font Info > Masters.

  • Virtual Masters (in File > Font Info > Font): If you need an axis only for a few glyphs, it does not make sense to add a complete font master, redraw all glyphs and manage an extra set of kerning. Rather, you can use the Brace Layer technique in combination with this parameter. The classic example would be axes for ascender and descender lengths. What you do is this: first you set axis names and tags in the Axes parameters (see above); then, instead of adding actual masters, you add the Virtual Master parameter and define their axis positions (as you would in a normal font master):

    Once this is done, you can simply add Brace layers to the glyphs that need it, with all the required axis values, comma-separated in the proper order:

    Export as Variable Font, and you should have sliders for ascender and descender lengths in your favorite OTVar-aware application, or for whatever else you are using it.

  • Axis Location (in File > Font Info > Masters): Allows you to set the design space position of the master in question, especially if it defers from the interpolation values you are using in the Weight, Width and Custom fields. The use of this parameter is optional, of course. Only add it if you need it.

  • Export STAT Table (in File > Font Info > Instances): This STAT table if you add the Export STAT Table custom parameter to any of the instances in File > Font Info > Instances. We only export STAT tables if you want them, because it appears that they can confuse CoreText rendering (i.e., text rendering on Apple devices). Caution: STAT support is only preliminary and likely to change in the upcoming dot updates.

We added special support for the Optical Size axis. Simply put Optical Size in the custom name field in File > Font Info > Masters settings, and Glyphs will take care of the rest:

Many thanks for your continued input on this, especially the people who gave us feedback at the great ISType 2017 conference: Irene Vlachou, Gor Jihanian and Laurence Penney.

Metrics

There is a new custom parameter for all those amongst you who do layered or duplexed fonts: Link Metrics With Master. It allows you to link the metrics of a master to any other master. As you would expect, add it in File > Font Info > Masters, and add the name of the linked master. (In case you are wondering: there has been a parameter for linking metrics to the first master already, but the new parameter allows you to hook your metrics up with any master.)

For me, one of the coolest new things is this: If you have a metric key formula in a sidebearing, you can now press the up and down arrow keys for changing the units added or subtracted. Add the Shift key for increments of 10 units:

Speaking of metric keys, Glyphs now allows more complex formulas like =H*-0.1. And metrics key syncing now includes Brace and Bracket layers, too. FTW!

Two good news items about kerning: Firstly, if you have group kerning between letters and punctuation, and your letter group contains both Latin and Greek glyphs, the kerning is filtered much better and you will not run into cross-script kerning omissions anymore. And secondly, kerning between Arabic figures now works as expected. We were able to squish a bug that would surface under specific circumstances.

All the designers who have been working with vertical scripts, such as Mongolian, will appreciate that you can now also have TSB and BSB columns when Font view is in list mode.

OpenType Features

We have further improved the automatic feature generator. For one thing, old style figures are better recognized. If you had problems with the numeral features in the past and ended up writing the code yourself, well, give it another try.

Your manual feature code can now have include(filename.fea); statements. The included files must be in the same folder as the .glyphs file. Read more about the include statement.

The feature code editor in File > Font Info > Features now respects the code font size you have set for the Macro Window, which we introduced back in Version 2.4. In Window > Macro Panel, type this:

Glyphs.intDefaults["MacroCodeFontSize"] = 13 

… and press the Run button in order to set the font size to 13pt, for instance. To reset it to its defaults, you would type:

del(Glyphs.defaults["MacroCodeFontSize"])

There’s more. You can now have custom mark feature code alongside automatic code. Similar to adding kern to the sidebar in File > Font Info > Features, you can now add mark, and either start it with this comment line:

# Automatic Code End

This will append your code after the automatic code. Or, to prepend your code, end the feature with this comment line:

# Automatic Code Start

Oh, did I say kern? While we were at it, we improved the handling of the custom kern feature code as well. Give it another go if you had issues with it in the past.

And a little annoyance has been corrected: the feature pane splitter now remembers its position. Sorry for the inconvenience this has been causing all along, and thanks to Ben Mitchell for bringing this to our attention.

Better support for manual GPOS code and GDEF table code in the Prefix. This will be especially useful for people who are importing from UFO. Thanks to Bob for this one.

UI Changes

Smart glyphs, caps and corners have their own groups in Font view now:

No more garbled glyph names: We improved the font handling in the Print-to-PDF function of the Print dialog. This was an issue with newer systems that employ the San Francisco fonts. Now the font in PDFs defaults to Lucida again.

Languages and Scripts

We added Bengali to the sidebar in Font view. Many thanks to the nice people at TypeTogether for helping with this!

Thanks to the input we received from our users, we were able to add preliminary support for the Adlam, and Syriac scripts. Speaking of connected scripts, we could also add a few more African-Arabic glyphs to our glyph info database.

We were able to further improve the automatic feature code for Devanagari. Especially for this one, we are grateful to this year’s Reading students for their input, specifically Geetika Alok, whose feedback has been really useful for us.

Speaking of script-specific feature code, we started adding support for the CJK-specific palt and vpal features: proportional metrics for full width glyphs, and proportional alternate vertical metrics. This is still preliminary. If you are making CJK fonts with Glyphs, please let us know how it works for you.

CJK virtual bodies are now scaled and displayed properly.

We improved the automatic Arabic feature code. E.g., Glyphs can now automatically provide working ccmp code for shadda ligature glyphs (shadda_xxx-ar).

We added some cool new things for Hangul. For one thing, there is a Hangul Composition Groups custom parameter in File > Font Info > Font. It is above me for many reasons, but if you have created Hangul letters before, I believe you know what this is all about:

When we are talking about languages, we also need to mention that the German UI localization has been vastly improved. Many thanks to Yanone for his continued input.

Corner and Cap Components

We improved the handling of corner components a little. It is important to mention that, because it may change the appearance in some cases. Especially check inner corners in your counters, e.g., where you used corner components for inktraps. Please report any problems you encounter.

Plus, we were able to squish a few bugs concerning corner components: For one thing, they now work as expected in glyphs containing scaled components. Also, alignment of corner components is improved now. And removing overlaps now works properly with corners and caps.

Oh, I forgot to mention that copying and pasting caps and corners works smoothly now. And not only that, also copying and pasting glyphs containing cap and corner components. Try it, you’ll love it.

Scripting and Extending

This time, a very special thank you goes out to TypeTogether coder Joancarles Casasín, who gave us a lot of invaluable feedback on our Python implementation. Next to a number of bug fixes and small improvements, you can now have a space after the hashtag in the # MenuTitle: line of your Python scripts. It never occurred to us until Joancarles was tidying up and streamlining his code. May not seem like a biggie, but certain code style guidelines and recommendations require this, and some code tidying tools presuppose it too.

And again, we owe Yanone a big thanks for another batch of improvements he carried out in the API. Most notably, callback registering is really much better now: You can now register mousedown and mouseup notifications for reporter plug-ins. Head on over to docu.glyphsapp.com to see all that’s new.

Oh, and if you are a budding scripter, you may want to go through the Scripting tutorials again, because we recently added Scripting Glyphs, part 4.

New plug-ins have made it into Window > Plugin Manager, including a 30-day trial for Yanone’s latest stunt, his SpaceBar plug-in.

Import and Export

Opening existing compiled fonts is a drag, technically, because you have to do a healthy amount of reverse engineering. But Glyphs now imports even more information from compiled OTFs. Also, importing TrueType Collections (TTC) and legacy suitcase fonts now works much better.

Version 2.4.2 sports a much-improved SVG table export. Good news for people who have been working on color fonts. Exporting TrueTypes without production names is fixed

Many little things have been improved when it comes to UFO import and export. For instance, Glyphs is not writing custom parameters into ufo.fontinfo anymore. But all info values and user data is now properly round-tripping between imports and exports. And the label color is now read from UFOs and stored in them as well.

TrueType

Werner Lemberg’s TTF Autohint has been integrated into Glyphs 2 from the start. Glyphs 2.4.2 contains its latest and greatest version 1.6. That means that TTF Autohinting now supports Armenian, Cherokee, Ethiopic, Georgian, Gujarati, Gurmukhi, Kannada, Malayalam, Sinhala, and Tamil scripts. And all glyphs covered by the fallback script are now hinted by default, rather than just scaled. If the fallback script is set to none, hinting will be carried out without script-specific blue zones.

If none of the above made any sense to you, here is the nutshell version: Autohinting has gotten better for TrueType fonts.

If you have nested components, and export a TrueType, more components are kept, and less decomposition happens.

Small Improvements

And as always, the many little improvements and small bug fixes are the things that make your daily life easier.

  • You can now rename smart glyph properties without losing related settings in smart components.
  • No more ghost measurements with the Measurement tool (L or Ctrl-Opt-Cmd) after removing overlaps (Cmd-Shift-O).
  • The last states of palettes are now properly stored.
  • The Reencode Glyphs parameter works much better now.
  • The Re-Interpolate function works without a hitch.
  • Smart components scale and interpolate much better now.
  • Auto-alignment of .sinf and .subs letters is fixed (thanks Ludwig!)
  • You can now reorder layers by dragging them.
  • PS hints added with the Autohint command from the context menu now hook up properly with nodes on the outlines. (And thus, interpolate properly, too.)
  • Autohinting now transfers to compounds as expected.
  • Largely improved tabbing through empty fields in dialogs. Let us know if you still come across tabbing problems in a dialog, let us know, please.
  • Filter > Transform > Background now works properly for selected nodes and outlines.
  • Regex search and replace (Cmd-Shift-F) with periods and numbers in the search string now works as expected.
  • If the sizing of the Filter > Fix Compatibility window has been driving you mad, take a look again. It should be fixed now.
  • The Has Special Layers smart filter now includes reverse bracket layers.
  • Copying and pasting glyphs between files should not give you any headaches anymore.
  • Have you seen upside-down placeholders in glyph selection dialogs? We put them back on their feet again.
  • We found and fixed many more typos in the English UI.
  • Fixed most crashes.

And we fixed a nasty little export bug that has plagued us for quite a while. Until recently, we were not able to reliably reproduce it, but thanks to Mark Simonson’s input, we were. Font export is now pretty much bulletproof. Thanks, Mark!

And as always, thank you all for your continued support and your continued feedback! We could not do this without you.

2–9 September 2017: 15th TypeClinic

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15th TypeClinic will be organised from 2nd to 9th September (saturday to saturday) in Trenta, Slovenia.

Participants get a temporary license and can purchase the full version of Glyphs at a discount.

15th TypeClinic Workshop

  • When?

    2–9 September, 2017 (Saturday to Saturday)

  • Who?

    Franziska Weitgruber, visiting mentor
    Tomato Košir

  • Where?

    Educational Centre
    Trenta 31, Slovenia

  • How much?

    EUR 360

    (covers mentorship, sleeping and eating arrangement & prints)

  • For whom?

    Beginners and advanced typedesigners are all accepted.

  • Prerequisites

    Please bring:

    • your MacBook with Glyphs 2 (trial suffices)
    • bed linen
    • some hiking or good tennis shoes
  • Links

    15th TypeClinic on Behance

Our type design workshops deals with usable (non-decorative) typefaces – bodytext and display typefaces for print and digital usage. The final products includes typefaces with 40 characters minimum, which are later displayed on our Behance page.

23–24 September 2017: Type Jam 2017

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Type Jam is a fun event for people of all skill levels. We’re hoping to bring together two communities: those who make typography (e.g. letterers, type designers, font engineers), and those who use typography (e.g. graphic designers, product designers, etc.). Make fonts, make friends, have fun!

Participants get a free extended trial license for Glyphs 2, and coupon codes for a full license at a discount.

Type Jam

  • When?

    Sat, Sep 23, 2017, 9:00 AM –
    Sun, Sep 24, 2017, 9:00 PM PDT

  • Who?
  • Where?

    Tradecraft
    150 Minna Street
    San Francisco, CA 94105

    Type Jam will be hosted at the Tradecraft office in downtown SF. It will kick off at 9am on Saturday 9/23, and run until the evening on Sunday 9/24. The building will be closed overnight, but participants can continue working off-site until the building reopens on Sunday morning.

  • How much?

    USD 15–25
    All proceeds will be donated to San Francisco Center for the Book.

  • For whom?

    Experience: optional
    Beginners and pros

  • Prerequisites

    Bring your MacBook with macOS 10.9 or later and the Glyphs 2 trial installed.

  • Links

    Type Jam

Type Jam is an opportunity for both novices and experts to experience and explore different disciplines and methods for creating beautiful type in a very constrained time period.

We created Type Jam to make it easier for people without traditional type design experience to start designing fonts. By mixing both amateurs and pros in a room together for 48 hours, some amazing things can happen!

Whether you're a graphic designer, letterer, muralist, engineer, unemployed, Type Jam can get you one step closer to creating your very first font!

For you pros out there, Type Jam can also be a place to experiment with new techniques, styles, python scripting, while mentoring people new to the craft.


Glyphs 2.4.3 Released

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Welcome to the latest stable version of Glyphs: 2.4.3, the build number is clocking in at 1064. Get it while it’s hot by simply choosing Glyphs > Check for Updates…

Bugfixes

This is mainly a bugfix update, and contains nothing new, really. So, we’ll quickly guide you through the improvements:

  • We fixed a number of crashes, so that we can safely say that 2.4.3 is the most stable version of Glyphs to date.
  • Fixed an export problem with an empty mark feature.
  • Fixed an export problem with custom kern feature code, where the custom code ended up in the wrong place in the features.fea file.
  • 2.4.3 now properly stores settings for nested smart components.
  • Improved the handling of nested, disabled components.

That’s it, no new tools, gadgets, functions. Just some fixing and plumbing under the hood. 2.4.3 is the definitive version 2.4.

Things to Come

There are a few things in the pipeline. Development of version 2.5 beta has been underway for about a year now. On the side, though, because we have been maintaining 2.4 all the time. Now that we are closing the 2.4 chapter, we can focus completely on version 2.5.

So, we decided to release the first beta of 2.5 parallel to the 2.4.3 stable release. If you enable Glyphs > Preferences > Updates > Show Cutting Edge Versions, you can have a glimpse at the near future of the application today already:

Click on the Check Now button, and you can download the latest Glyphs 2.5b already. But careful: we consider 2.5 to be in early beta stage still, and that’s why it comes with no warranties, so try it with copies of your files only. Or make a backup you can revert to before your let it loose on your font files:

Hint: You can keep both 2.4.3 and 2.5 next to each other in your Applications folder.

Here are some of the highlights of 2.5:

  • TrueType: Pay special attention to the TrueType Instructor, which has improved a lot. Most notable difference: You can have both H and V instructions. But there is more to it. Try it, and compare the rendering results. Make sure you sit comfortably before you do, because it’s pretty awesome.
  • Text Editing: Also, we have dramatically improved text editing in an Edit tab. Should you ever have had difficulties with placing the cursor when ligature features were on, well, try again.
  • Making Path Corners: Select a portion of a path, then choose Paths > Make Corner. It will replace the segments with a corner of two straight path segments. Easy way to get rid of a serif.
  • Show Nodes: You have known the View > Show Nodes option (Cmd-Shift-N). Now you can further differentiate between View > Show Nodes > In Foreground and View > Show Nodes > In Background.
  • OTVar Improvements: Bracket Layers now export as feature variations, and we implemented a sixth axis.
  • Smart Handles: Good bye sliders, we added dragging handles for smart components! For enabling these handles, use anchors named after respective parameters, e.g., name your anchors Bend if your smart glyph parameter is called Bend. Make sure the anchors are present in all layers, at different positions. In the placed smart component, a handle will appear at the anchor position. To control the parameter, you can drag the handle instead of the slider. Pretty cool.

Sure enough, there is much more that has been added. Take your time, look around, look at the change log, explore, give us feedback in the forum.

Many, many thanks to the invaluable input we have received from the Glyphs community, and this time especially to the people more directly involved in the various development processes.

Have fun with the stable Glyphs 2.4.3, and with exploring the cutting-edge Glyphs 2.5 beta.

30 September–1 October 2017: Glyphs at Type Kyiv 2017

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We are happy to announce our first Glyphs workshops in the Ukraine, at this year’s Type Kyiv. Both workshops and the presentation will be held in English, with Ukrainian translation available. See you in Kyiv!

Presentation: ‘More Fonts, More Fun: from Gamification to Animation’ (Презентация «Чем больше шрифтов, тем веселее. От геймификации к анимации»)

  • When?

    October 1, 11:15-11:45

  • Who?

    Rainer Erich Scheichelbauer

  • Where?

    UNIT.city, місто Київ, вулиця Дорогожицька

  • How much?
  • For whom?
  • Prerequisites
  • Links

New technologies create new possibilities. In this tour de force presentation, you will see proofs of concepts for what OpenType features and the latest Variable Font technology can do for you.

Workshop: Making Pixel Fonts

An easy introduction to type design and font technology for non-type designers.
Covers: starting a quick and easy font, and creating a simple animation with an OpenType feature.

Workshop: Making Variable Fonts

Variable Fonts are the next big thing in font technology, and most browsers already support it. We will draw a Smiley and animate it.

9–11 November 2017: Three-Day Type Design Into in Frankfurt

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Frankfurt design bureau Schultzschultz offers a 3-day type design introduction workshop for students or designers, who want to learn how to design letters and typefaces.

Type Design 101 Workshop

  • When?

    9 through 11 November 2017

  • Who?

    The workshop will be held by Marc Schütz. He taught type design at the Academy for Art and Design, Offenbach am Main from 2012 till 2016 and is currently guest lecturer for typography at the Bauhaus-Universität Weimar. Recently he released the Neue Kabel Pro typeface family on Monotype.

  • Where?

    XXXVII
    Koselstrasse 37
    60318 Frankfurt a.M., Germany

  • How much?

    500€ per person for 3 days

  • For whom?
  • Prerequisites

    No prior knowledge required. Bring your MacBook with macOS 10.9+ and Glyphs 2 preinstalled.

  • Links

Included in the workshop:

  • Introduction to formal writing
  • A brief history of type design
  • Optical adjustments of letterforms
  • Introduction to the Glyphs App
  • Multiple Master Workflow
  • Opentype & Webfont Export

4–8 October 2017: Glyphs at Granshan 2017

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Glyphs is a proud sponsor of Granshan 2017. Also, we will have a pre-conference workshop on Wednesday, and a little stage presentation about the latest tricks for Cyrillic on Friday. Conference attendees can purchase a Glyphs license at a discount. See you in Yerevan!

Workshop: Introduction to Glyphs with special focus on Armenian

  • When?

    Wednesday, 4 October
    Afternoon

  • Who?

    Rainer Erich Scheichelbauer
    Georg Seifert

  • Where?

    TUMO Center of Creative Technologies
    Halabyan 16, Yerevan, Armenia

  • How much?
  • For whom?
  • Prerequisites

    No prior experience required. Bring your MacBook (macOS 10.9 or later).

  • Links

Get started in digital type design with Glyphs, and learn some useful tricks for Armenian.

Tricky Cyrillic

  • When?

    Friday 6 October
    15:45

  • Who?

    Rainer Erich Scheichelbauer

  • Where?

    TUMO Center of Creative Technologies
    Halabyan 16, Yerevan, Armenia

  • How much?
  • For whom?
  • Prerequisites
  • Links

    http://www.granshan.com/conference/schedule

Glyphs is a font editor built with special attention for Non-Latin. Some of the latest tricks we built into the software lend themselves beautifully for solving some typical Cyrillic design problems.

9–11 November 2017: Three-Day Type Design Intro in Frankfurt

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Frankfurt design bureau Schultzschultz offers a 3-day type design introduction workshop for students or designers, who want to learn how to design letters and typefaces.

Type Design 101 Workshop

  • When?

    9 through 11 November 2017

  • Who?

    The workshop will be held by Marc Schütz. He taught type design at the Academy for Art and Design, Offenbach am Main from 2012 till 2016 and is currently guest lecturer for typography at the Bauhaus-Universität Weimar. Recently he released the Neue Kabel Pro typeface family on Monotype.

  • Where?

    XXXVII
    Koselstrasse 37
    60318 Frankfurt a.M., Germany

  • How much?

    500€ per person for 3 days

  • For whom?
  • Prerequisites

    No prior knowledge required. Bring your MacBook with macOS 10.9+ and Glyphs 2 preinstalled.

  • Links

Included in the workshop:

  • Introduction to formal writing
  • A brief history of type design
  • Optical adjustments of letterforms
  • Introduction to the Glyphs App
  • Multiple Master Workflow
  • Opentype & Webfont Export

17–19 November 2017: Love Letters Workshop in Brussels

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Don’t miss this chance to attend one of Sébastien Sanfillipo’s fantastic entry-level workshops!

Love Letters Type Design Workshop

  • When?

    17-19 November 2017

  • Who?

    Sébastien Sanfillipo

  • Where?

    La Villa Hermosa
    Rue de Laeken 101
    1000 Bruxelles

  • How much?

    310 Euro
    étudiants (ou diplômé en 2015): 160 Euro

  • For whom?

    Niveau: débutant

  • Prerequisites

    MacBook Pro with macOS 10.9 or later and the latest version of Glyphs 2 installed.

  • Links

    Love Letters

Que vous soyez débutant ou que vous ayez déjà un projet avancé, Love-letters vous invite à participer à son workshop de création de caractères typographiques. Au cours du workshop, vous acquerrez les principes du dessin de lettres d’après l’analyse de modèles historiques et contemporains. Vous serez accompagné dans la création et le développement de votre projet personnel.

En fonction des besoins de votre projet, vous vous familiariserez avec les outils de la création d’une typographie digitale comme la vectorisation, les courbes de Bezier, les approches de lettres, le kerning, l’interpolation et le workflow.

20 October 2017: Variable Fonts in Prague

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Join Glyphs team member Rainer Scheichelbauer and the UMPRUM team for day focused on Variable Fonts in Prague!

If you are an UMPRUM student: ask Radek Sidun or Filip Blažek about the workshop.

Lecture: Variable Fonts. The Next Big Thing In Type

  • When?

    Friday 20 October
    17.00 hrs

  • Who?

    Rainer Erich Scheichelbauer

  • Where?

    UMPRUM Prague
    Room 115

  • How much?

    Free entry

  • For whom?
  • Prerequisites
  • Links

A new font format will give you new possibilities, and it is available—now. Whether you are a graphic, web, book or typographic designer, this talk is for you. Approx. 30-40 mins, and chance for Q&A.


2–5 November 2017: 8º Encontro de Tipografia

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The Glyphs team is happy to be a sponsor at the 8th edition of Encontro de Tipografia in Faro, Portugal. Glyphs team member Rainer Scheichelbauer will be on the premises.

Lecture: Making a Difference with Fonts

Contrary to popular belief, fonts are not merely beautiful hobbies for type nerds or simple tools for any task, but can really make a difference. Join Rainer Scheichelbauer on a tour through the political side of type design.

Workshop: Pixelfonts in Glyphs

  • When?

    Thursday 2 November
    14:00-18:00 (total 4h)

  • Who?

    Rainer Erich Scheichelbauer

  • Where?

    ESEC-UAlg
    Campus da Penha
    8005-139 Faro

  • How much?

    Fee: 20€

  • For whom?
  • Prerequisites

    No prior experience in type design required. Bring your MacBook with Glyphs 2 preinstalled.

  • Links

    http://et-8.ualg.pt/index.php/en/conference/workshops-pt

An easy introduction to type design and font technology for non-type designers. Start a quick and easy font, and create a simple animation with an OpenType feature.

25 January–28 June 2018: Type Design and Lettering at SfG Basel

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Swiss type designer Matthias Pauwels will conduct a public 5-month course on type design and lettering. Participants can purchase Glyphs at a discount. The costs for the course are a steal… so don’t hesitate and take this chance if you are in the area.

Schriftgestaltung und Schriftbilder

  • When?

    Do., 17:30-20:45 / 25.01.2018-28.06.2018

  • Who?

    Matthias Pauwels

  • Where?

    SfG Basel, Raum: G203/204

  • How much?

    Preis: 520,00 CHF
    Reduzierter Preis: 200,00 CHF

  • For whom?

    Der Kurs bietet AnfängerInnen sowie Fortgeschrittenen die Möglichkeit, durch eine vertiefte Auseinandersetzung mit Grundlagen der Schriftgestaltung ein eigenes Projekt zu entwickeln.

  • Prerequisites

    Für den Designprozess wird die Software Glyphs empfohlen. Eine Lizenz kann vorgängig über den Kursleiter zu vergünstigten Konditionen bezogen werden.

  • Links

    Schriftgestaltung und Schriftbilder // Type Design and Lettering

Schrift hat sich über Jahrhunderte entwickelt. Gemeinsam erarbeiten wir die geschichtlichen Zusammenhänge, die ihr heutiges Abbild erklären. Dabei lernen wir Buchstaben als abstrakte Formen wahrzunehmen, um deren visuelle Eigenheiten zu verstehen. Manuelle und digitale Techniken zur Gestaltung werden vorgestellt und es besteht die Option, diese in einem eigenen Projekt zu erproben. Beispielsweise kann eine Schriftfamilie von Grund auf gestaltet oder ausgebaut werden. Möglich ist auch, eine charakteristische Display-Schrift zu kreieren, Schriftbilder (sogenannte Letterings) oder Wortmarken umzusetzen oder sich anderen Anwendungen mit Schrift zu widmen.

27 November–1 December 2017: Southeast Asian Script Workshop at Cadson Demak

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If you are interested in Southeast Asian scripts, next week Ben Mitchell, Suppakit Chalermlap and other experts will have a week long workshop at Cadson Demak. Quick, sign up!

Southeast Asian Script Workshop

  • When?

    Monday 27 November through Friday 1 December:

    • Monday: Thai script
    • Tuesday: Lao script
    • Wednesday: Khmer script
    • Thursday: Burmese script
    • Friday: Extending the design, feedback sessions, participant presentations
  • Who?

    Ben Mitchell, Suppakit Chalermlap

  • Where?

    Cadson Demak Studio, Bangkok

  • How much?

    5000 THB

  • For whom?

    For font designers of all skill levels who want to learn how to design fonts for Southeast Asia

  • Prerequisites
    • Attendees should bring pencils, pens and notepads, laptops with font editing software (a free demonstration version of Glyphs is available).
    • Please bring ideas you’d like to work on during the workshop: example typefaces that you’d enjoy extending into Southeast Asian scripts, or a brief for a new design.
  • Links

Learn about fonts for Thai, Lao, Khmer and Burmese:

  • Share knowledge with experienced professionals from different countries.
  • See the different styles of writing and what they’re used for.
  • Understand the character set for each script, what the letters look like and how they work together.
  • Develop a concept for a type family including all four scripts and get feedback on suitability.
  • Learn where to start with each script. Sketch key characters to give your design a clear direction.
  • Go deeper into each script, extending the glyph set with support from professionals. Identify common difficulties and how to get things right.

6 April–30 June 2018: Madrid Type Spring 2018

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Andreu Balius will host this 3-month weekend workshop, stretched over 3 months. Unique chance to get your quality time with one of Spain’s most renown type designers, and get your type design started!

Madrid Type Spring 2018

  • When?

    Weekends from 6 April to 30 June,
    total length: 115 hours

  • Who?

    Andreu Balius and Unos Tipos Duros

  • Where?

    La quinta del sordo, Madrid

  • How much?

    EUR 2100

  • For whom?

    Graphic designers and font designers of all skill levels who want to learn how to design fonts

  • Prerequisites

    Bring your MacBooks with the latest Glyphs preinstalled.

  • Links

    Academia Plómez

In this course you will learn to:

  • value the social, cultural and economic aspects behind type design,
  • understand what kind of resources calligraphy provides to letter shapes,
  • plan the development of a type design project,
  • optimise your vector drawings,
  • carry out production steps necessary for a digital type design,
  • and enjoy springtime in the beautiful city of Madrid!

The course is organised by Unostiposduros.com and Familia Plómez.

14–17 February 2018: Ljubljana Workshops 2018

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Three days of Glyphs at the Academy of Fine Arts in Ljulbjana, Slovenia. Public lecture and three-day workshop. As always, participants can purchase a personal full license at a discount.

Tipografska delavnica Glyphs

Thursday: Basics and Workflow. No prior knowledge of type design required. In a quick rundown, you will see a sample font production workflow, from sketching, drawing and manipulating paths, creating compounds and font testing.

Friday: Advanced Techniques. Boost your efficiency with corner components, smart components, exit/entry anchors. Some experience in Glyphs expected (visiting the Thursday sessions will do).

Saturday: Variable Fonts in Glyphs. Create an OTVar font project from the ground up, use it in Illustrator and InDesign, and animate it in a web browser.

Public Lecture: Making a Difference with Fonts

Making a Difference with Fonts – Type Design and Politics. Okay, we have learnt that design can make a difference, but type design? I believe there are three ways type designers can actually contribute on a political level. Some may not be as obvious as one might expect.

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